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Welcome to the 1976 production of The Mikado | |||||||
Synopsis
Act 1. Nanki-Poo, the Mikado's son, in disguise as a wandering minstrel, is anxious to find Yum-Yum, one of Ko-Ko's wards whom he has met in his travels and with whom he
has fallen in love. Having heard that her guardian has been condemned to death for flirting, he has hurried back to claim her as his bride. But he has been misinformed: Ko-Ko has been reprieved
and promoted to the post of Lord High Executioner. The great officers of State have resigned in protest and Pooh-Bah has taken over their duties, and salaries.
Act 2. The happiness of Yum-Yum in the preparations for her wedding is clouded by Ko-Ko's recollection of the alarming fact that, when a married man is executed his wife must be buried alive.
Nanki-Poo is resigned to immediate execution, but Ko-Ko squeamishly shrinks from his duty, and suggests that an affidavit, witnessed by the mercenary Pooh-Bah, that the sentence has been carried out,
will solve the problem. Ko-Ko hurriedly sends the young lovers off to be married.
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| The Mikado of Japan | Reg Baker |
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| Nanki-Poo (his son, disguised as a wandering minstrel) | Derek Fielder | |
| Ko-Ko (Lord High Executioner of Titipu) | Charles Brooker | |
| Pooh-Bah (Lord High Everything Else) | Brian Sullivan | |
| Pish-Tush (A Noble Lord) | Sid Pearson | |
| Yum-Yum } | Pat Charlesworth | |
| Pity-Sing } (Three sisters, Wards of Ko-Ko) | Kathleen Jones | |
| Peep-Bo } | Anka Eglesfield | |
| Katisha (An elderly Lady in love with Nanki-Poo) | Mary Clayton | |
| Go-To (A Noble Lord) | Dennis Humphrey |
Ladies and Gentlemen of the Chorus
Mavis Boddington, Joyce Brooker, Mary Dicker, Pat Hayfield, Rosie Crossman, Jean Ebbs,
Marion Pancheri
, Gladys Parker, Jennifer Gee, Dorothy Harrison, June Haynes, Elaine Linford,
Julia Nichols, Pam Street,
Margaret Walsh.
David Apps, Doug Bates, Doug Bonner, Ian Bourner, Charles Broadhead, Bert Coleman,
Fred Cornford, Clarence Gill, Brian Harrison, Tom Clayton,
Michael Pancheri, Tony Selby, John Hawtin.
Click here for all the pictures
Copyright © Chris Worton 2005